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September 12, 2009

The James Bond Audition

Here's the audition that landed me the James Bond videogame gig back in 2007.

(In a nutshell, for those who may be new to this blog: In 2007, I got a gig to be a voice match for an unavailable Daniel Craig in what was to be a Casino Royale video game from Activision. The recording sessions were suddenly put on hold, after which I sat on ice for months before finally learning that Craig had agreed to voice the part after all. By that time, the game had become a tie-in for the following Bond film, Quantum of Solace.)

The audition itself isn't a perfect voice match, but I'm still happy that it was close enough to get the nod.

 

 

(If the Flash player doesn't work, you can download the mp3 here.)

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June 21, 2009

"Land of the Lost" Audition

 

Land of the Lost (2009)
 

 

This past January, I auditioned for a voice role (Library Skull) in the Will Ferrell movie Land of the Lost. I didn't land the gig --- that honor went to voice actors Adam Behr and Daamen Krall --- but it was fun to give it a go.

Here's my original audition if you're interested. (mp3)

 

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May 22, 2009

Press Release: Professional Voiceover Talent David Houston Signs with Ryan Artists Talent Agency

Professional voice over talent David Houston has agreed to be represented by Ryan Artists talent agency.

FOR IMMEDIATE RELEASE


May 22, 2009 – Professional voice over talent David Houston has agreed to be represented by Ryan Artists talent agency, it was announced today.

Ryan Artists, Inc., is the only full-service union-franchised talent agency in Oregon, operating in the Pacific Northwest since 1981. In addition to voice over, the agency represents models and actors in the areas of fashion, lifestyle, and on-camera, working with numerous regional and national clients in a variety of markets.

With this new partnership, Mr. Houston adds to his representation in Texas, California, Louisiana and New Mexico by The Atherton Group (TAG) Talent Agency.

"I'm excited to be partnering with Ryan Artists. Already having the strongest and most active representation in the South and West regions of the country with TAG, I wanted to expand my marketing and business opportunities to other areas as well", said Houston. "With Ryan, I can rest assured that my representation in the Northwest is being handled by top-notch professionals."

David Houston (davidhoustonvoice.com) is a voiceover artist, actor, and audio producer based in Austin, TX. He has been heard on numerous national TV and radio commercials, and also performs voiceovers for animation, corporate narrations, documentaries, broadcast voice imaging, audio books, podcasts and messaging on-hold (MOH). Houston was originally cast as the voice of James Bond in Activision's "Quantum of Solace" videogame. Also an on-camera actor, David Houston has appeared in episodes of the network TV series "Friday Night Lights", and will also appear in the upcoming feature films "Ex-Terminators" and "Temple Grandin".

Media Contacts:
David Houston, David Houston Voiceovers, 512.659.0013
Liz Atherton, The Atherton Group, 512.930.9301
Sarah Catherine Sorensen, Ryan Artists, Inc., 503.274.1005

# # #

Actor and voiceover artist in Austin, TX. Warm and rich baritone/tenor, pleasant yet authoritative; from friendly, smooth, and sophisticated, to commanding and powerful, to hip and upbeat; from Guy-Next-Door to Voice-of-God.

Companies like Activision, Dell, Callaway Golf and OmniTrader have chosen David Houston Voiceovers to voice their projects.

Other clients include: Saberex, Kinetic Concepts, Inc., Powered, Inc., Rove Mobile, KFLW-FM Radio


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May 14, 2009

You're Doing It Wrong

 

 

 

Getting an agent to represent your voiceover career requires the following: talent, persistence, professionalism, and at least the ability to gain the slightest understanding of what a Voiceover Demo is.

Then again, this is just my opinion. Maybe you don't really need any of those things. In fact, if you're bereft of all four items, I urge you to plow forward regardless with all haste and fervor! Oh, you certainly won't land an agent, but you'll provide bloggers like me with plenty of compelling material.

By way of example, the fine folks at Voice Over Xtra bring you an e-mail transcript of a recent exchange between VO agent Roger King of PN Agency and "an aspiring voice talent". I won't spoil it, but let's just say that the latter description is probably a bit generous.

 

How NOT To Get An Agent

 

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May 13, 2009

An Appeal to Voice Overists, by Philip Banks

Don't worry, he doesn't mean you.

On second thought: yes, he does.

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April 30, 2009

Looking and Leaping Into Voiceover

Actress and author Deborah Puette gives an in-depth, first-hand look at taking the plunge into her first VO demo. Her work with producer/voice actor Ed Cunningham is also documented on video. Highly recommended!

(Courtesy of Backstage.com)

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December 30, 2008

Voiceover Opportunites for the New Year

 

Report on the Voice Over Industry for 2009, from voices.com
 

 

David Ciccarelli of Voices.com has published Report on the Voice Over Industry : 2009, a comprehensive look at recent trends in media with an eye toward the upcoming effects --- and opportunities --- for the voiceover industry. It's a free PDF download, and it's highly recommended reading.

 

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November 20, 2008

Notes from Berkley "No Auditions" Teleseminar

 

 

 

 

Susan Berkley's “Tons of Voice-overs Without Tons of Auditions” teleseminar earlier this evening --- referenced in yesterday's post --- featured some great tips, useful for novice as well as intermediate to advanced VO artists.

First of all, make no mistake: auditioning is a necessary part of the voice actor's professional life. The key is to remember that it should be only a part, and not the whole, of the search for jobs. I liked Susan's use of the term "slack adjusters" as one way of looking at auditions. The term comes from retail, in reference to big-ticket items that are expensive and don't fly off the shelves; however, just one sale of such an item can put a store in the black for that month. The problem is, no retail store can survive solely on that one big purchase, just as a voice artist can't afford to wait on landing that one magic job.

The focus, Susan drives home, should be on prospecting, marketing, and selling yourself. Instead of waiting for a buyer to pick you from among hundreds, seek out potential clients and make yourself the only choice when they need a VO. It's not as easy as staying on the audition treadmill, but it's far more rewarding.

Just to add my own $0.02: Landing a good agent --- you know, the one who sends you all those auditions --- isn't likely to happen in the first place unless you can convince them you're able to make money. Once you've got your own list of clients, having made yourself their choice, agents will look favorably on your pitches.

More information on Susan Berkley's upcoming seminars and classes at GreatVoice.com.

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