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March 31, 2011

That's Easy For *You* To Say.

This segment from Wednesday's The Rachel Maddow Show serves to remind that, even (especially?) for those of us who talk for a living, some words and names are more problematic than others:


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I have to say, it's oddly comforting to know that I'm not alone in my regionally-specific social requirement to willfully mispronounce certain names and places: In Austin alone, "Manchaca" is "man-shack" and "Guadalupe" is "gwad-a-loop" (yes, even those who speak Spanish properly are compelled to use the "incorrect" but more common forms). I have fond memories of a novice newsman at a radio station getting his hand figuratively slapped over saying "Bexar County" just as it appears --- which is incorrect, as Bexar is properly said "Bay-er".

Rachel, I thoroughly and completely feel your pain regarding "procurement". I can say it easily and quickly now, but that's because it once gave me the same fits, prompting me to practice it over and over again until it sounded natural. (Yes, folks, this is what voiceover performers do. All of us have the occupational hazard of our own collection of a few relatively basic English words that mangle our tongues and make us sound like we're still learning the language.)

I use the Merriam-Webster pronunciation guide myself quite a bit; it's not only a lifesaver for tricky "everyday" words, but the handy "Medical" tab seems tailor-made for those of us who do a lot of medical narration.

(Voice talents --- and anyone else interested --- here's the link to the Voice of America pronunciation guide.)

RELATED POST: Y'all are Fixin' to Git an Education.

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March 12, 2011

Getting Inside the Script


When presented with a VO script, it doesn't have to be Shakespeare to warrant bringing your best acting skills to the table. In my article Getting Started in Voiceovers, I pointed out: "Whether it's a ketchup commercial, an instructional tech video, or an animated Pixar blockbuster, the skills you need to bring to the mic are those of an actor."

Dan O'Day shares this clip of Christine Coyle demonstrating just what I referred to, teaching the kind of text analysis skills needed to get inside any script. (My friend Bob Souer is one of the participants.)

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February 20, 2011

Getting Started: Another Take



Wondering what it takes to get started on the right path to a career in voiceovers?

I've gotten a lot of nice feedback on my article about getting one's feet wet in the voiceover biz. Voice actor Smith Harrison has written his own superb piece on the subject of getting started in voiceovers, so I recommend you add it to your reading list if you're interested in laying the groundwork.

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January 31, 2011

The Right Coach

Excellent insight from Bob Souer on finding the right voice coach for you.

How to evaluate voiceover coaches


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October 28, 2010

FaffCon2: Atlanta 2011!

The success of the first FaffCon event in Portland has led to FaffCon 2, coming to Atlanta in 2011. Early registration begins November 1st!

FaffCon is a voiceover "unconference"; instead of being locked in to seminar or workshop content dictated by others, you get to choose what aspect of voiceover work gets discussed/worked on/et cetera. Congrats to FaffCon's organizer, Amy Snively, on the success of the (un)conference!

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October 01, 2010

A Top Tip Twofer from Philip Banks

In one fell swoop, international voiceoverist Philip Banks teaches you 1) how not to be a cinematographer AND 2) the elusive, magical secret to getting VO work.

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September 20, 2010

New PSAs for National Voice Over Appreciation Month

Check out all three new PSAs for National Voice Over Appreciation Month! Dave Courvoisier put it together with 16 voice actors, including David Houston, Tricia Basanyi, Linda Ristig, Liz de Nesnera, Lee Gordon, Jody Krangle, Justin S. Barrett, Lindsay Martell, Ken Maxon, Rowell Gormon, Mike Coon, Doug Turkel, Melanie Haynes, and Daniel Wallace. Also included: David Atwood, Mahmoud Taji, Jay Sawyer, Jim Barton, Ken Maxon, Morgan Barnhart, Dan Roberts, Trish Basanyi, Andy Boyns, Bob Souer, Dave Courvoisier, Mike Roberts, Edo Peters, CC Petersen, Jodi Krangle, Ralph Hass, and Michael Schoen.

PSA 1

PSA 2

PSA 3


More info at http://www.nationalvoiceovermonth.com!

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July 12, 2010

Peter Rofé on Analyzing Commercial Copy

Voice Talent Peter Rofé breaks down the art of analyzing commercial copy in this edition of the Voices.com Voiceover Experts Podcast series. Originally posted in 2007, it's a valuable resource for getting into the core of a commercial script.
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November 10, 2009

Happy Birthday, VO-BB!

 

 
Happy 5th Birthday to the VO-BB forum, from David Houston Voiceovers!
 

 

 

There aren't enough superlatives to describe what a tremendous online forum the VO-BB is (and nobody likes an overwritten script anyway). Therefore, I'll just ask you to join me in a hearty Congrats and Happy Birthday to the site, born five years ago today.

My pal (and creator & manager of the site) DB Cooper also deserves more thanks and salutations than I can adequately express here. Here's to many more!

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April 30, 2009

Looking and Leaping Into Voiceover

Actress and author Deborah Puette gives an in-depth, first-hand look at taking the plunge into her first VO demo. Her work with producer/voice actor Ed Cunningham is also documented on video. Highly recommended!

(Courtesy of Backstage.com)

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February 22, 2009

Anime Voice Acting 101



Bang Zoom! Entertainment has been running a series of voice acting workshops around the country, answering the eternal question: “how do I become an anime voice actor?”. Anime News Network sat down with workshop teacher Tony Oliver, a longtime voice actor, director and producer, to find out what it's all about.

Link

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February 15, 2009

You Oughtta Be In Voiceovers

Ever been told you should be doing voiceovers? Ever told someone they should be doing voiceovers? Here's a brief but must-read article on the reality behind what the next step actually entails.

UPDATE: A fellow voice talent shared her experiences, in a response to this post in another forum. Here are her thoughts:

 

My reality: $14,000 later with a professional demo and directors, agents and actors telling me I'm competitive and the top student in the working professional classes, agents all told me "I have that niche filled." and "I'm sorry, you're too old to portray children. You can't possibly understand their motivations."

An audiobook startup is happy to use me for character work in exchange for copies of the books and a small mixer board they outgrew. My voice is on another "resume job" display in a museum of coin-op amusements.

I return to working on advancing my day job career with dreams of building a studio of my own to record the antique children's books I've collected.

For everyone who makes it big, how many are working with broken dreams?

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January 28, 2009

Breaking Into Audiobook VO

Scott Brick is arguably the audiobook industry's greatest voice talent working today, making his How to Break Into Narration blog post an absolute treasure. Having all of Scott's insights put into text is reason enough to dive in, but he's gone the extra mile and narrated an audio version of the lesson --- as only he can.

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January 14, 2009

Commercial Technique

 

 

 

Backstage.com hosts an excellent article on Honing Your Commercial Technique. Authored by actor and VO artist Heidi Schooler, and featuring advice from top voice actor MJ Lallo, the article highlights four specific skills an actor should take into every audition. 

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